Pyromaniacs at Midnight

jannelle-o:

I had some red velvet cake today. The frosting was too sweet @w@;

andythanfiction:

starkspangledjohnlock:

almaasi:

vivamuriente:

    #love love love love love love love how he puffs himself up #I don’t know if it’s a conscious thing Misha does or it’s just a wonderful accident #but it happens multiple times other than the two times he shows his wings to Dean #peacocking Cas #you’re doing it right  

#you can just visualize his wings flaring out

Cannot be unseen.

I love the way that in general Cas moves like he has wings.  Like, seriously, if you watch the way Misha navigates his body when he’s in character, he moves his shoulders differently, with a real sense of weigh and presence, and as odd as it sounds, he incorporates the wings into his body language even if you can’t see them.  He even leaves space for them when he sits.  He never sits all the way back in a chair.  They’re clearly part of Castiel’s internal map of himself, and that’s such lovely attention to detail. 

andythanfiction:

starkspangledjohnlock:

almaasi:

vivamuriente:

#love love love love love love love how he puffs himself up #I don’t know if it’s a conscious thing Misha does or it’s just a wonderful accident #but it happens multiple times other than the two times he shows his wings to Dean #peacocking Cas #you’re doing it right

#you can just visualize his wings flaring out

Cannot be unseen.

I love the way that in general Cas moves like he has wings.  Like, seriously, if you watch the way Misha navigates his body when he’s in character, he moves his shoulders differently, with a real sense of weigh and presence, and as odd as it sounds, he incorporates the wings into his body language even if you can’t see them.  He even leaves space for them when he sits.  He never sits all the way back in a chair.  They’re clearly part of Castiel’s internal map of himself, and that’s such lovely attention to detail. 

(Source: bthemusic)

hellchesters:

wise words from Dean Winchester

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

Mary Oliver, “Wild Geese” (via arosary)

(Source: equanimousicons)

Morning doodle

But the final hour is called “Heroine” for a reason, as this is also a story about Joan Watson at the end of the day. In a case where Sherlock is at his weakest, and when he is unable to realize that the path to victory is failure because it means acknowledging that failure is even a possibility, it is Joan who sees more clearly. Joan isn’t afraid of Moriarty, but is rather protective of Sherlock (as both his sober companion and his partner), and the confusion that Moriarty’s emergence creates within Sherlock creates surety for Joan. If Sherlock only sees puzzles and Moriarty only sees games, Watson sees actual people: her interest in Sherlock is human, the kind of relationship that Moriarty can’t even imagine (referring to her as a mascot at one point in their lunch date). While the truth about Moriarty robs Sherlock of the most striking, human connection he believed he had ever made, the resulting investigation reaffirms a more powerful connection in his partnership with Joan, the newly discovered species of Newglassia Watsonia a metaphor for what happens when an extremely rare bee miraculously unexpectedly finds a compatible partner.

(Source: waitingforsth)

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